Existence

[Texto disponível apenas em inglês] This piece is the first of the eponymous cycle. It explores the coexistence of the algorithm and the performer’s gesture. It searches for a sensitive language between the human and the machine to jointly create a visual, sonic, and choreographic work. The piece is based on an experimental electronic composition, a rich and vast granular sound journey.

Here the gesture controls and performs both the images and the music, which under the influence of the algorithm also have their own form of autonomy. This dynamic visual and sound creation is, in turn, a source of influence for the gesture whose intention oscillates between control and choreography.